Emma Maree Reviews: Write a Great Synopsis
Book: Write a Great Synopsis by Nicola Morgan
Genre: Non-Fiction/Writing Advice
Most writers hate writing synopses. They need dread them no more. In Write a Great Synopsis – An Expert Guide, Nicola Morgan takes the stress out of the subject and applies calm, systematic guidance, with her renowned no-nonsense approach and laconic style.
Write a Great Synopsis covers: the function of a synopsis, the differences between outlines and synopses, dealing with requirements for different agents and publishers, finding the heart of your book, how to tackle non-linear plots, multiples themes, sub-plots and long novels, and it answers all the questions and confusions that writers have. Nicola also introduces readers to her patent Crappy Memory Tool, explains the art of crafting a 25-word pitch, and demonstrates with real examples. Gold-dust for writers at all stages.
I’ve been waiting on tip-toes for this book to be released – synopses are tricky stuff to write, and it’s always nice to get an expert’s tips on them. While the UK publishing industry is a little more friendly than the US industry there’s a lot less information available online about it. We’ve got The Writer & Artist’s Yearbook, Carole Blake’s From Pitch to Publication, and now there’s Nicola Morgan with Write A Great Synopsis and her more general industry advice book Write to be Published. The best part about it – WAGS is only £1 in January! You can buy in here from Amazon UK.
Nicola’s book is a short and snappy read that covers all the bases – the only thing I would have liked is a more formulaic method, which tends to work best for me (Susan Dennard’s method worked a charm for me recently). Nicola’s recommendations don’t rely on a formula or a section break down, but this this allows her methods to work for a much wider range of stories. Her tips work brilliantly for both your run-of-the-mill 3 Act stories and for non-fiction and fiction that doesn’t follow a standard structure. She even includes some particularly useful advise for books that jump around, include flashbacks, or have multiple endings.
This is a succinct and brilliant book, and I recommend it for any writers (UK, US or otherwise) who’re tearing their hair out getting that synopsis written.



This felt like a very fresh book to read, for a lot of reasons. It’s filled with references to classical music and classic rock. It uses flashbacks to tell a lot of the story without slowing down. Most importantly to me, the main character Mia didn’t speak like a teenager. The 17-year-old cellist thought like an adult, acted like an adult, fell in love like an adult. It all made her so much easier to relate too, while the difficult situations she had to deal with in her life kept the focus on how young she still was.










