EmmaMaree.com
10Nov/1215

I’ve Got An Agent!

It is time to give you, my lovely blog readers, some long-awaited good news:

I've signed with Genevieve Carden of the up-and-coming CardenWright Literary Agency.

I've been keeping this quiet for the last while until contracts were sorted out, but now that that's done, it's time to celebrate! (And then to get back to work.)

If you're unfamiliar with the writing industry: An agent's job is to submit an author's book to major publishers. But before we do that, I need to make sure my book is the best it can be. So with Gen's guidance (and the help of some brilliant beta readers), I'm disappearing into my study to work on major revisions for REBEL AGAINST HEAVEN.

It'll be tricky, but I'm excited to get to work. As Title2Come eloquently put it in GIF form:

bringitmisha Ive Got An Agent!

But I'm going to keep the excited gushing to a minimum on this post and hop onto a soapbox, because there's something I need to say.

A lot of the writers reading this blog are waist-deep in the query trenches, working hard on your submissions while rejections fall around you like bombs. Like me, you might be facing lightning-fast rejections, paranoia that you've disappointed or angered an agent, or disheartening tweets about how your genre is overcrowded, dead, gone, and you should just give up.

Do not give up.

Hang on, let me turn up the mic and switch on the caps lock.

DO NOT BLOODY GIVE UP.

It took me 73 tries*, but I was ready to go right on past 100. The things we love are worth fighting for, and that includes our stories. Keep trying. Don't let anything deter you -- ignore the rejections, ignore the worries, ignore your stupid inner critic who keeps telling you you're not good enough. Keep writing new, different things too, but don't give up on your other projections.

Keep trying. Keep writing. Keep going.

The perfect agent is out there. You just need to find them.

(By the way, Gen's building her YA list. Hint hint.)

 

And now... it's time to PARTY.

0 Ive Got An Agent! 0 Ive Got An Agent!

 

 *A breakdown, for those of you who like numbers: 

In the UK: 49 Queries. 3 partial requests, 5 full manuscript requests. 21 rejections, 2 withdrawn and 23 deafening silence. In the US: 24 queries. 8 rejections, 8 withdrawn, 5 silences. These numbers don't quite add up, but hey, querying gets confusing and I suck at maths. Keep in mind that my DRAGON TAMERS sales numbers gave me a leg up in the slush pile. REBEL has a very British voice and I'm better at writing UK covering letters, so the higher UK interest was unsurprising.

6Nov/127

Analysis of a First Draft

Yesterday I hit 50,000 words on my WIP, the story of a military robot engineer who goes toe-to-toe with a Wendigo. I've been tracking my word count for the first time. I usually frown upon using word counts to track productivity (I set a deliberately low word count target) because I believe word count obsession can lead to too little focus on quality writing, but I actually enjoyed using the spreadsheet. It was a powerful motivation factor and helped me see just how smoothly this draft went.

spreadsheetfirstdraft1 Analysis of a First Draft

The first month was a bit of a slog, and most of my writing was done by scene hopping from cool-scene-to-cool-scene and forming the world from that. At the end of October I hit this stride where everything started falling into place. I finally 'got' the story. That made it plain sailing for a while, even when I was doing the tricky part -- stitching all my scenes together.

Working through November was a nice way to finish the draft, I got to tap into the excitement of my writing friends starting NaNoWriMo and use it to fuel me through the final part. Definitely will try to arrange my schedule so I'm drafting during NaNoWriMo more often.

The Statistics

My word count goals were, to write the WIP over 3 months: hitting 16666 words on 10th Oct, 33333 words on 11th Nov, and 50k by the 10th December.

My actual results completely took me off guard.

It took 21 days of typed writing, averaging 2381 words a day, plus a few extra days of scribbling long hand but not getting to type it up. The bulk of the work happened between 24th September and 05th November, so about a month and a half of writing, but the idea was left to form for a while between the initial draft and when I got started it. Two major interruptions were three days of sickness, and a week off for my birthday.

Most of my writing happens after 10pm and runs up until 3am, and my life looks a lot like this: Work, Writing, Sleep. Pick two. I sacrifice sleep for writing during the week and oversleep at weekends.

This draft is still just a first draft, and it has a lot of fixing up to do and words to add before it's a 'finished' novel -- but all in all, I'm proud of my speed, and I'm proud of the draft. It feels a lot more focussed than REBEL, and I've reached the point where I'm happy to let the story sit on the sidelines. I need some space from it, to mull over the ideas and let the plot percolate like a good cup of coffee.

Still, it's a good feeling. I've got another novel planned for the New Year, so hopefully I'll be able to keep up the same momentum for that.

Things Learned in This Draft

  • The main thing I learned is: I write fast first drafts. REBEL's first draft took me... two years, maybe, mostly due to life and rocky mental health, so I had no idea I could do this. And it certainly didn't feel as fast as it looks on the spreadsheet.
  • Next, I need to work on structuring my editing and redrafting for increased efficiency.
  • Scene jumping is a hugely useful technique for me.
  • Daily writing doesn't work for me if I try to force it. I need to take breaks for my mental health and to let ideas 'percolate'.
  • And I need a much, much longer time to let a story concept stew before embarking on the 1st draft. A half-decent outline and an ending are essentials before I start.
  • Working long hand is awesome, it stops me being faced with a blank screen when I open up Word.
  • Scrivener doesn't work for me. It just gets me distracted with fiddling settings. Word isn't great, but it keeps me focussed at least.
  • I definitely do have to sacrifice things when I hit my stride. Sleep is the main loss, but I also lose out on a lot of interaction with friends and my partner.
  • And I get easily overloaded/stressed out, but because I'm actively being productive it's easier to recognise that I'm overloading myself. It meant I could make people aware that I was stretched thin.

Now I'm taking the day off, and starting on that REBEL revision tomorrow (it's also been percolating while I've worked on this story, and I'm excited to pick it up again). I'm hoping to create another first draft for a different project in January with similar speed.

Writers, how's your work (NaNoWriMo or just general writing) getting along?